Monday, 12 May 2025

SPFBO 10 has a winner!

The 10th annual Self-Published Fantasy Blog-Off is over!  #SPFBO #SPFBOX

After 11 months of hard labour by ten wonderful blogs, 300 books were whittled down to 10 finalists and then to 1 champion. 

And here it is!



And here it is in with the Selfie-Stick award prior to shipping to J.L Odom in the States.



I've started reading my copy and after 36 pages I can say that I adore the writing. If the story is there to match the prose then it will be one of the very top SPFBO books I've read.

Do check it out. The book has had very few readers, so it's exactly what this contest was set up to find - a wonderful fantasy book that might well have been entirely overlooked without some way to focus attention on it and get the ball rolling!



Please check out the finalists' score-board. It was the tightest contest we've ever had and there will be something you'll enjoy here.


And if you have a self-published fantasy book of your own, the next contest - the 11th annual SPFBO (SPFBOXI), opens its doors to contestants in January 2026. Take a look!




 

Thursday, 17 April 2025

Best Bestseller?

I'm told that THE BOOK THAT HELD HER HEART will appear in 6th place on the upcoming Sunday Times bestseller list!

Which ain't bad on a partial week's sales and competing with books from subscription boxes.
Well done Harper Voyager UK for getting it out there.
The graphic shows my previous efforts. And whilst The Library Trilogy definitely isn't my bestselling work (that's The Broken Empire trilogy), it certainly has potential to do well.

The books don't have a tremendously high average score on Goodreads, but I feel that's because they're more literary than my previous work, and that always leads to lower scores. Moreover, as with The Broken Empire, the people who like these books REALLY LIKE these books. The storyline drew in a number of readers because of the romance elements, but these were never romance books and I hope they leave the readers with more enduring memories along with questions that they will return to.

If I had to guess which of my books people will still be talking about at some point a decade or two in the future, it would be these ones.






Saturday, 12 April 2025

The Locked Library

The Locked Library are a part of my UK editor, Voyager, that produces fancy editions to give away in subscription boxes. For the boxes, these will be book 1s if they are from series. But for my Library Trilogy, they made follow-ups for book 2 and book 3 that could be ordered from them (all sold out now).

Here they are, with the excellent covers and book end art by Tom Roberts.

The only thing not shown are the author letters in each.





 










Thursday, 10 April 2025

The Book That Held Her Heart is out!

 


Book 3 of The Library Trilogy is in the shops on both sides of the Atlantic now!

I've sent out the news letter, saturated my social media, signed a ton of books, don't The Big Idea on Scalzi.com - in short, I've pulled all the levers available to me, and it's in the gods hands now.

A lot of the burden of marketting falls on authors these days, but in the end there's only so much to be done. The publishers get it on bookshop shelves, and the primary engine of book sales after that initial push is readers recommending the book to readers. Readers talking about the book. Readers putting it on their social media.

Books need a ramp to take off - the best book in the world can die if it doesn't get that critical mass behind it to make the readership start taking notice. But after that, whether it will fly far depends entirely on the public.

I've launched the last of the trilogy, and I'm on to the next!

2026, 2027, and 2028 will see the release of the Academy of Kindness trilogy, starting with Daughter of Crows. A dark tale that veers closer to vibe of The Broken Empire than any of my trilogies since we waved Jorg a fond farewell.



Join my 3-emails-a-year newsletter #Prizes #FreeContent 









Sunday, 6 April 2025

Elves, dwarves, & orcs, oh my!

I'm a huge Tolkien fan, by which I don't mean that I can write elvish or remember the family trees implicit in the Silmarillion, though I can recite some of the songs from Lord of the Rings...

I'm a huge fan in that the story of JRR told owns a significant chunk of my heart and that the landscape of my imagination will always be mapped, at least in part, with Tolkien's iconic mountains, trees, and hills.


So, I'm in complete sympathy with those readers who want MORE. The ones who want more of that sense of awe and gravitas and scale, sprinkled with individual lives that matter.

My mother read me Lord of The Rings when I was 7 and I've read quite a few attempts to rebottle that lightning over the course of my lifetime. I read Terry Brook's homage (The Sword of Shannara) when I was 13 and it scratched at the itch without relieving it. I did enjoy the book at the time.

Many of the books that I've read which appear to want to build on / exploit / honour The Lord of the Rings do so simply by throwing in elves, dwarves, and renamed orcs into a similarly open and conflicted world that shares the bucolic farmlands of Southern England along with the wild forests of Germany and the white-toothed Alps of France.

It's here where the attempts to recapture LotRishness fail for me. What brought elves and dwarves (and to some degree orcs) to life for me wasn't the pointy-eared handsome of the elf or the gruff practicality of the dwarf, it was that they were products of cultures that were in turn products of a history, and that it was a history that wasn't merely complex (a broken plate is complex). Tolkien's history for the world he created was a work of love, a work for its own sake, built over the course of many years and not to support a story. The story fell out of it as a by-product.

It feels (from the books I've read - which are only a small fraction of the elf/dwarf/orc fiction out there) that in pulling these races from the shelf for your novel you are then either forced to build your own history which will immediately be in competition with JRRT's in the reader's head, or to make vague swipes at a similar history/culture, these brush strokes being broad enough to avoid copyright/plagiarism whilst fine enough to benefit from riding the LotR wave.

To truly revisit the territory LotR opened up, I feel you would need to abandon elves, dwarves, and faux-orcs entirely and to construct something equally grand and deep using wholly new devices. Though this would of course limit your ability to stand on the bedrock of western myth.

I know that this has been done to some extent by various authors. But the ones I've visited have never really worked for me. Perhaps I need to be seven again in order to incorporate any book as deeply into my own personal mythology as I did The Lord of the Rings.


But, (and this is entirely personal), I don't think elves and dwarves and awks in anyone else's hands will ever light up the page for me.








Friday, 14 March 2025

10 Years Full-time!

It is (give or take a fortnight) 10 years since I became a full-time author!

I was made redundant 😮

The story is here: https://mark---lawrence.blogspot.com/2015/04/redundant.html

I had, of course, been a part-time author for 4 years before that, since Prince of Thorns was published in 2011. 

All in all, it was a good move, albeit one that circumstance kicked me into. When you have a mortgage and children - one of them profoundly disabled - it's nerve wracking to exchange a regular paypacket and a (seemingly) stable job for uncertain piecework. Against the odds though, it has worked out so far, and for that I am very grateful. 

I've now been published by 36 different publishers in 28 languages and have sold over 3 million books worldwide.

In English Prince of Thorns has sold 720,000 copies - the UK paperback is in its 31st printing.

54% of those sales have been via my US publisher, 46% via my UK publisher.

I remember reading my contract back in 2010 and seeing a clause that marginally increased my royalty on any sales after 100,000 copies. I snorted at that line. It seemed so abstract. They might have well have added, 'And if aliens land it will go up to 10%'. I genuinely thought I would sell at the very most 5,000 copies. And it was a reasonable upper expectation.


You can never tell what will happen next, good or bad.

Very many thanks to all the readers who have kept picking up my books and who have thereby sustained me for the past decade. It's much appreciated.


My publishers!


UK    Harper Voyager

US     Penguin / Ace

Australia    Voyager Australia

Bangladesh    Paper Voyager

Brazil    Darkside Books

Bulgaria    Bard Publishing

Canada    Penguin/Ace – Canada 

China    ChongQing

Czech Republic    Talpress

Egypt    Bayt el Kotob

France   Bragelonne 

Germany   Heyne for The Broken Empire

FISCHER Tor for Book of the Ancestor

Georgia    Palitra L

Greece   Cryssalis Books

Hungary   Fumax

Indonesia   Ufuk Press

Iran Behdad Publications

Italy   Newton Compton

Latvia   Prometejs

Lithuania   Versus

New Zealand   Harper Collins / Voyager – New Zealand 

Poland   Papierowy Ksiezyc

Wydawnictwo MAG for Book of the Ancestor

Portugal   20|20 editora

Romania   Editura Trei

Russia   Fantastica for Broken Empire and The Red Queen’s War (CANCELLED)

Atticus for Book of the Ancestor (CANCELLED)

Serbia   Laguna

Spain   Minotauro

Redkey Books for Impossible Times

Thailand   Nokhook Publishing

The Netherlands   Luitingh-Sijthoff

Taiwan Fantasy Foundation Publications, a division of Cite Publishing

Turkey   Pegasus Yayinlari 

Ukraine   Ridna Mova 








Tuesday, 11 March 2025

Early copies ... I have a handful!

One month from now The Book That Held Her Heart will be on bookshop shelves in the US and UK.



Here's the complete set along with Missing Pages (the short story collection).





And The Broken Binding limited edition (sold out) with purple edges!



And the UK edition!


And here, for good measure, is the whole of the US dustjacket.


Time to get excited! And also to pre-order 😃